on the one hand, the discharge of information accumulated and stuck in the subconscious. Ventilating unprocessed experiences and organizing them into a specific system. At the same time, the events that come from outside and affect me also trigger a need for communication, which manifests itself in painting.
In addition to internal and external influences, the third driving force that defines my painting starts from the theoretical plane. Experimenting with shapes and colors, organizing patterns into a system, and composing motifs and shapes into a picture, which gives rise to more abstract, abstract painting solutions.